What more can be soothing to
the ears than a blend of an old tune and a new tune? What more can trigger nostalgic
goose bumps in a music enthusiast than listening to a duet by a legend and the
rave of the moment? In this generation of collaborations between veterans and
youngsters, music has indeed, played god, reconnecting our past with the
present.
A glance behind the glitter
of music collaborations usually reveals something more than a colourful
paradise. It validates the innovation, and the creativity that
seeps out of duets. It is akin to what the
Portuguese writer, Paulo Coelho likened to combining the knowledge of a youngster
sheep rarer and blending it with the gift of a veteran clothing merchant in a
state of productive shearing, in his novel, The Alchemist.
Many who grasped these productive
lanes have kissed fame in acclaim and successfully written their names in gold
in the history of Nigeria music. OMOTOLA OLAIFA of Entertainment Express, in this expose, examines the
influence, significance and the ‘real deal’ behind music collaborations between
our legends and the hardworking youngsters.
Everybody knows Victor Olaiya. Everybody loves
Tuface. Then many love their style of music, beats and lyrics. Either it is the
tune of African Queen or Feso J'aiye, you can be sure music
enthusiasts across Africa would dance to the tune. Olaiya’s captures the subtlety
of fiction effortlessly and quite impressively with his voice, trumpet and
white handkerchief, thus making his simplest tunes memorable. Like pieces of a
shared life, an intimacy between him and whoever cares to remember and
appreciate.
Even the most noxious music critic can testify
that a combination of Victor Olaiya and Tuface on a song would result to a golden
tune. It is a collabo that can be simply described as déjà Vu. Two renowned
musicians from the old and new generation taking center stage to remix a
classic song from the early 1960’s is nothing less than a classic. It is to the
delight of many music buffs that energetic Tuface Idibia performed a song from
Dr. Olaiya’s early collection “Mofe Muyan,” now christened “Baby Mi Da.”
The
song reproduced by Spellz with Nollywood’s finest, Director Kunle Afolayan of
“The Figurine” fame, who made this his music video debut. Premier Records ltd,
the label under which Dr. Olaiya is signed, sees the collaboration as a way of
uniting musicians from different generations. “It is pertinent that we bring
back to the music industry what made Dr. Victor Olaiya internationally known,”
said Michael Odiong, Project Manager of the Premier Records. “His lyrics are
still very relevant today, and he has so many tracks like ‘Ilu Le O’ and ‘Mr
Judge’ that have an impact on people everywhere, and his classic love songs
like ‘Omo pupa’ ‘Fami Mora O’ will withstand the test of time any day. We want
to encourage younger stars to take advantage of these classic songs and do
something new with them.”
At the video shoot, veteran producer/director,
Mr. Tunde Kelani, was on hand at the Stadium Hotel to support the team. “Premier
Records and Spinlet put heads together to commission the two stars to do the
collaboration in order to bring something that will be a novelty in the music
industry,” he hinted on how the collaboration came about. “So, it wasn’t their
ideas. The idea was formulated by Spinlet and Premier Recording Company.”
Dr Victor Olaiya narrated how he was contacted
about the project. “I was
approached and I viewed it and I told them there was sense in the
collaboration,” Olaiya enthused. “Although, I had for some time refused to
collaborate with any individual. I wasn’t able to measure the degree of what
they could contribute to my music. Most of my numbers, over the years, have
been hit numbers. I couldn’t imagine anybody could come and make it ‘hiter’ or
better. I don’t have any regret so far. It is the talk of the town now
and it gives me joy.”
Obviously, he chap (Tuface) involved is very
talented. Olaiya, the Evil Genius of Highlife as widely acclaimed couldn’t
resist the charm and cool of the respectful and highly gifted pop star. According to the veteran “Tuface has
the qualities.”
As the old saying goes, the taste of the pudding
is in the eating. Olaiya readily agreed that he wouldn’t have agreed out-rightly
to the project if any other artiste were to be considered. He would have listened
to anybody brought his way to determine the musical qualities of the individual.
“But for Tuface, everybody knows he is gifted. I adore him, I admire him and I
love him. He has most of the qualities I would expect of a young lad like him.”
By
every standard, Dr Victor Olaiya is a success. He played for several street
brass bands including B. Effiong’s Street Band in Lagos. Noted for his rough,
hoarse voice and dexterity on the trumpet reminiscent of the jazz legend, Louis
Armstrong, Olaiya who often hold a white handkerchief while blowing the trumpet
waxed a number of highlife hits in the 60s. Among his top hits were Omopupa, Jemila, Ilu le and Lafiaji. And at different times he was
a trumpeter for Bobby Bensons Jam Session, Sam Akpabot’s All Stars Band, Lagos
City Council clerk. Olaiya formed the cool Cats Orchestra with ABC Cole (late)
in 1954. But later, in 1959, he formed his own band, the All Star Orchestra.
Over the years, his lyrics have been a hot cake
in the music market. Even before he was nominated to play at the Independence
Ball in the 60s, his music was on top. Long before the idea of collaboration
came on a few years ago, when artistes felt they wouldn’t be able to do it all
alone and they needed somebody to join them he was doing his music alone.
However, the music genius bemoans the dirt of
lewd lyrics in the contemporary music of today. He does not agree with most of
today’s lyrics. “In my days, I made sure that anything I composed or dished out
to the public is not only musical, but also educative and poetic and it must
convey sense and good music,” he stressed. “It is a concord of sweet music. I think we have to re-plan
with the youth and tell them to go back to the archives and be able to do
something meaningful and educative and musical. I am not criticising; I am not
even a critic as such. But most of the things I hear and watch on the TV, they
don’t give me much to desire. They don’t give me the full joy of a good musical
composition. However, no matter what we say, they are getting on with it and
making money from it. Everybody wants to be a musician and there is nothing we
can do about it. With time, I hope they will improve and we have a better
‘musical’ tomorrow.”
Tuface also agreed with the veteran on the
increasing rate of lewd lyrics amongst his contemporaries but quickly dismissed
the fact that nothing can be done about it. “The reward of hardwork is success
and you can never be successful doing that kind of music,” he posited. “You
know, music is a spiritual thing. You spit it as it comes but you also make
sure it is good for the ears. Good music is not offensive. Good music is good
for the soul and that is why I have decided to do this song with Baba Victor
Olaiya.”
Like the Evil Genius of Highlife music, Victor
Olaiya, Nigeria’s King of Afrobeat Femi Kuti has also collaborated with another
youngster who, with his music, captured Nigeria and Africa, Wizkid. In this
case, the Pakurumo crooner was the
one who initiated the idea of the collaboration. “Wizkid
was the one who came calling,” said Femi Kuti. “He called my sister on how he
could feature me in his song. I think he called my sister maybe because he
thought I would be difficult to reach.”
Fortunately, the Afrobeat maestro was traveling
the next day and had no idea of how the collaboration would be possible the
same day which happened to be the closing day of Nigerian Idol where he was a
judge. But Wizkid wasn’t ready to take no for an answer. “It’s very urgent sir,
we have to hit the studio as fast as we can,” he insisted. Although, it was
tight for Femi but he had to juggle his schedule and went to the studio with
him on that day of the closing ceremony of show.
In the
song Jaiye Jaiye, the multi-award
winning Grammy nominee, Femi Kuti, gave the track a new school high-life mix as
he puts his superb saxophone skills to its full capacity.
The track, Jaiye Jaiye which was produced by Sarz,
showed Wizkid talking about his increasingly successful music career. Apart
from this historic collaboration, Wizkid has worked with some of the biggest
names in the local and international music industry including Akon, The Game,
Kardinal Official, Wale, Young Jeezy, M.I, Ice Prince among others.
“I was shocked and surprised when Wizkid called
me,” Femi’s sister, Yeni Kuti explained. “I told Femi and he said ‘no problem’
if it could fit into his schedule because he was traveling the next day. Wizkid
supports us all the time, so we had to do everything in our power to support
him also. So when Godwin (Wizkid's manager) gave me the call, I didn't even
hesitate.”
“There is no way any of us would hesitate to work with Wizkid,” Femi added. “His song is good. The lyrics make sense and when somebody like Wizkid calls me, it requires all of my professionalism and my creativity to make the project better. At this stage of my career when somebody like Wizkid calls, its always nice I bring out all my best.”
“There is no way any of us would hesitate to work with Wizkid,” Femi added. “His song is good. The lyrics make sense and when somebody like Wizkid calls me, it requires all of my professionalism and my creativity to make the project better. At this stage of my career when somebody like Wizkid calls, its always nice I bring out all my best.”
Femi
is not new to the collaboration business. He has the pedigree that qualifies
him as a collabo master. He
collaborated on his album Fight to Win
with a number of U.S. musicians, including Common, Mos Def, and Jaguar Wright.
He has also contributed a remake of his father's classic song, "Water No
Get Enemy", to Red Hot & Riot,
a compilation CD in tribute to Fela Kuti that was released by the Red Hot
Organization and MCA. His track was created in collaboration with hip hop and
R&B artists, D'Angelo, Macy Gray, The Soultronics, Nile Rodgers, and Roy
Hargrove, and all proceeds from the CD were donated to charities dedicated to
raising AIDS awareness or fighting the disease.
Like Femi Kuti, Wizkid cuts the perfect picture of a Nigerian star who would strive to any length to get to the top of his game. His rise in the music scene is meteoric. Coupled with an adventurous streak, he has earned himself a major break in the music industry with this debut album, ‘Superstar’.
Apparently, persistence pays. Wizkid has
featured in various music productions and collaborations spanning four years
gliding from minor to major vocals. He also has a song in pipeline with King
Sunny Ade, which will be released soon. “Indeed, the guy has got talent,” Femi
Kuti acknowledges the young singer’s talent. “Even from his
song composition you would discover some old strokes. The lyric of the song is
what an old man like me can even sit down and meditate about. A young man
dreaming about big things and all. The lyrics didn't sound stupid, it is not
something I would be ashamed of associating with.”
On that note, an entertainment journalist and
music critic, Timi Ojajuna agreed with Femi Kuti “ Truly, I don’t think Femi
Kuti has anything to be ashamed of when it comes to doing a song with Wizkid.
The young man knows his onions well and he is never relenting.”
Another musician who is never relenting is
Omawunmi Magbele. Just as
interesting as her music is, Omawunmi Magbele strikes you like a girl next
door. Judging from when she made her debut till date, she has not stopped
thrilling her fans with her mind-blowing, soul-stirring songs. It is also not
for nothing that she is referred to as Onyeka Onwenu of this generation. She
has also featured the Elegant Stallion of music in her album. “I
emulate her character and her person,” she said. “For her to be so graceful at
her age and that her music is still somewhat in demand is a line that should be
toed. So, I’m not ashamed of toeing that line. If there were more divas of her
time alive, you’d have seen them on my shows because if you listen to my music,
you’ll discover that I try to make my music in such a way that people who were
here before me will listen and say I’ve done well. The first song that drew
people’s attention to me was her “Eko” song and people have been calling me
small Onyeka ever since.”
With her
new album ‘Lasso of Truth’ Omawumi has proved her mettle in the music industry.
‘Laso of Truth’ is a golden rope that could go through the fire yet to be indestructible.
Like when the singer sang the song, “If You Ask Me”, many critics attested that
the lyric what was true.
“All
Omawumi is trying to do is make people to connect to the message she is conveying
through her music,” The Nation Newspaper’s Entertainment
Editor, Victor Akande explained. “ There is never a dull moment listening to
Omawumi’s songs. This is a singer who rose from the number two spot in a music
reality show to beat the winner to the game in the job market. Omawumi Magbele
was the first runner-up in the Project Fame Reality Show, which in 2007 saw
Timi Dakolo winning the trophy. But today, her song has left many to wonder if
that contest was fair to her. She appears to be one of the best to have come
out of a reality show. Her manager, Sunday Are, wanted to intimate the media
about a concert the artiste is putting together. And it caught every body’s
fancy that Elegant Stallion, Onyeka Onwenu, will be performing at this young
artiste’s show. Omawumi is just an example of a ‘no holds barred’, and she has
just so much to say about her passion for music.”
Even the legendary singer, Onyeka Owenu
described her work with Omawumi as epic. “Indeed, when for example you listen
to Omawumi’s song called ‘If You Ask Me’ or ‘Bottom Belle’, one would
understand that the artiste is moved by certain messages, which she renders
clearly and suitably through danceable music. Give it to the girl she is just
good.”
Today, in the music circle Tuface, Wizkid and
Omawumi are on the verge of engraving their names in gold in the mind of many
music buffs. Perhaps ambition would deign them a toothy smile and lead them
across the cross-roads of fame to the realization of their dreams. Then they
may improve and possibly sustain the charm that endears them to their fans and
family. Who knows? They just might attain that final glow emeralds flaunt over
other precious stones – grandeur. Makes them worth jostling for like the
veterans.
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